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Variations on Autumn Leaves for Marimba Quintet |

(2016/ 2019) 3'45"'

arrangement of jazz standard "Autumn Leaves" by Joseph Kosma

for 5 players: one 5.0 octave marimba and three 4.0 octave marimbas

Variations on Autumn Leaves for Marimba Quintet - Unknown Artist
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Paranoia | (2018) 5'

for saxophone quartet (sop, alto, tenor, bari), percussion (vib, conga)

coming soon

Samsara for Zeitgeist | (2018) 9'

for 4 players: piano, 4.3 octave marimba, vibraphone, bassoon (or bass clarinet)

Samsara for Zeitgeist - Zeitgeist
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Marimba Quartet #1 ~Samsara~ | (2017) 9'

for 4 players: two 5.0 octave marimbas

Marimba Quartet #1 ~ Samsara ~ - Struck Percussion
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Samsara for chamber ensemble | (2017) 9'

won the 23rd Eric Stokes Song Contest, 2018

for 9 players: flute, clarinet in Bb, bassoon, 4.3 octave marimba piano, violin, viola, cello, double bass

Samsara for chamber ensemble - MIDI
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Bubblez for percussion ensemble with electronics | (2016) 6'

special mentions of RMN Music Call for Chamber Music Recordings 2018, UK

for 6 or 8 players: 2 vibraphones, 1 xylophone, two 4.3 marimbas, one 5.0 octave marimbas (optional: bass drum, suspended cymbal, and gong), amplification and Logic ProX

Bubblez for percussion ensemble with electricswn Track -
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Variations on Autumn Leaves for saxophone quintet | (2016) 4'

arrangement of jazz standard "Autumn Leaves" by Joseph Kosma

for 5 players: soprano sax, two alto saxes, tenor sax, baritone sax

Variations on Autumn Leaves for Saxophone Quintet -
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Marimba Trio #1 ~Abyssal Creatures~ | (2015) 8'

for 3 players: one 5.0 octave marimbas and one 4.3 octave marimba (optional another 4.3 octave marimba, two bongos)

Marimba Trio #1 ~ Abyssal Creatures ~ - Struck Percussion
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Nataraja ~The Lord of Dance~ for Percussion Quartet | (2015) 5'

for percussion ensemble

for 4 players: two 5.0 octave marimbas, two bongos, one rock bass drum

Natarāja ~ the Lord of Dance ~ for Percussion QuartetUnknown Track - Struck Percussion
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Nataraja ~The Lord of Dance~ for Guitar Quartet | (2015) 5'30"

for 4 players: four classical guitars

Natarāja ~ the Lord of Dance ~ for Guitar Quartet - Unknown Artist
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Variations on Autumn Leaves for woodwind quintet | (2015) 4'

arrangement of jazz standard "Autumn Leaves" by Joseph Kosma

or 5 players: flute, oboe, Bb clarinet, F horn, bassoon

coming soon
Variations on Autume Leaves for Woodwinds Quintet - (Reading Session)
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Brass Quintet #1 | (2015) 4'

for 5 players: 2 Bb trumpets, F horn, trombone, tuba

coming soon
Brass Quintet - MIDI
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String Quartet #1 | (2015) 5'

for 4 players: two violins, viola, cello

coming soon

Marimba Spiritual | (2010) 18'

the Blast Arrangement of "Marimba Spiritual" by Minoru Miki

For 6 players: solo 5.0 octave marimba, cowbell hi & low, timbales, bongo, chinese drum hi & low, low toms, ringing metals, tamtam, snare drum, 4.3 octave Marimba, ocean drum (rain stick), bass drum, china cymbal, vibraphone, bass drum, tambourine, crash cymbal, sus cymbal

Marimba Spiritual (Blast Arrangement) - Tetsuya Takeno
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Freedom | (2006) 4'30"

percussion ensemble arrangement of "Freedom" in the album the 12 Girls Band ~Beautiful Energy~ (2003) by the 12 Girls (Chinese instrumental pop music group)

For fourteen players: timpani, glockenspiel, xylophone, two vibraphones, two 4.3 octave marimbas, one 5.0 octave marimba, chime, aux percussion, drumset

Freedom by the Twelve Girls Band - MIDI
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Miracle | (2006) 3'

percussion ensemble arrangement of "Miracle" in the album the 12 Girls Band ~Beautiful Energy~ (2003) by the 12 Girls (Chinese instrumental pop music group)

For eleven players: timpani, glockenspiel, xylophone, two vibraphones, three 4.3 octave marimbas, one 5.0 octave marimba, bass drum, drumset

Miracle by the Twelve Girls Band - Unknown Artist
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3 Japanese Pop/ Folk Songs for percussion trio | (2006 revised 2013) 14'

arrangement of "Wadatsumi no ki" by Gen Ueda, "Nada sōso" by Begin, and "Shima Uta" by Kazufumi Miyazawa.

for 3 players: one 5.0 octave marimba, one 4.3 octave marimba, one vibraphone

Wadatsumi no Ki - MIDI
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Nada so so - MIDI
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Shima Uta - MIDI
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